Sterling silver acoustic guitar urn for ashes.
This guitar was made from a picture of a guy’s guitar. The body of the guitar is hollow and a silver plate is soldered on the back to hold in the ashes.
When I refinish a ring, instead of sanding out dents, scratches and dings, I use a number of burnishing burs to move and push the metal into the dings. (See picture below)
At this point, the surface is fairly smooth. It takes very little sanding to make it flat. I love to use rubber abrasives instead of sanding discs.
If money is tight and you don’t want to spend the $25-35 for the tungsten burnishers you can make one using a used burr. Heat it up to anneal it. I bend it while I am torching it.
For polishing, my number one bench jeweler tip is using a used sanding disc on the mandrel upside-down and charge it with tripoli. You can get into tight places and keep a crisp, flat surface.
This method takes a little bit longer, however, the results are much better then just sanding out blips. Another bonus is that burnishing the ring “work” tempers (hardens) the metal so it scratches less for the customer.
On our custom pieces, after casting, we beat the surface with the burnishers to harden them. Especially the shanks of rings. This works great on sterling silver. Burnishing with the bent burr also can get rid of porosity.
Carter came to work with me again. We fabricated a silver ring for fun. First he rolled out some thick silver wire in the rolling mill. He formed two size 8 bands from the slightly flattened metal. We made a small bezel and soldered it to a flat sheet for a backing. He soldered them all together and we set a cool Michigan greenstone called chorastrolite in the bezel. He polished it up and got to take it home that day.
Fabrication gives you instant gratification and is often a great way to make parts injunction with traditional cast pieces. It is great to have the know-how to create a part for repair or in an emergancy.